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"« Il est si doux, parmi les désenchantements de la vie, de pouvoir se reporter en idée sur de nobles caractères, des affections pures et des tableaux de bonheur" Flaubert
Pierre Clerk, Andreas Fogarasi, Rolf Julius, Vincent Lamouroux, Benoît Maire, Charles Mason
00/00/0000
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"« Il est si doux, parmi les désenchantements de la vie, de pouvoir se reporter en idée sur de nobles caractères, des affections pures et des tableaux de bonheur" Flaubert
Pierre Clerk, Andreas Fogarasi, Rolf Julius, Vincent Lamouroux, Benoît Maire, Charles Mason
00/00/0000
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"« Il est si doux, parmi les désenchantements de la vie, de pouvoir se reporter en idée sur de nobles caractères, des affections pures et des tableaux de bonheur" Flaubert
Pierre Clerk, Andreas Fogarasi, Rolf Julius, Vincent Lamouroux, Benoît Maire, Charles Mason
00/00/0000
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"« Il est si doux, parmi les désenchantements de la vie, de pouvoir se reporter en idée sur de nobles caractères, des affections pures et des tableaux de bonheur" Flaubert
Pierre Clerk, Andreas Fogarasi, Rolf Julius, Vincent Lamouroux, Benoît Maire, Charles Mason
00/00/0000
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"« Il est si doux, parmi les désenchantements de la vie, de pouvoir se reporter en idée sur de nobles caractères, des affections pures et des tableaux de bonheur" Flaubert
Pierre Clerk, Andreas Fogarasi, Rolf Julius, Vincent Lamouroux, Benoît Maire, Charles Mason
00/00/0000
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Rolf Julius
Red Moving, 2010
Japanese bowls, speakers, audio wires, MP3 player, amplifier, red pigment, light
dimensions variables
unique artwork
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Benoît Maire
Le Nez, 2010
metal, wood, bronze
dimensions variables
Edition of 8 + 2 AP -
Charles Mason
Untitled (Italian Verde marble mosaic, concrete, porcelain floor tiles), 2008
Italian Verde Alpi marble mosaic, concrete, porcelain floor tiles
62 x 200 x 120 cm
unique artwork
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Charles Mason
Between you and me, 2008
Concrete, black ceramic tiles, aluminium and steel tube, clamps, perspex, rubber
120 x 240 x 146 cm
unique artwork 2.jpg)
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Pierre Clerk
Red Living room, 2010
Acrylic painting on canvas
240 x 240 cm
unique artwork
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Pierre Clerk
Unintended Consequences, 2010
Acrylic painting on canvas
180 x 180 cm
unique artwork
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Benoît Maire
Le crépuscule des copistes, 2005
Lambda print
60 X 80 cm
Edition of 3 + 2 AP
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Charles Mason
Brace, 2007
Parts of two wood chair backs, scaffold clamps
68 X 48 X 89 cm
unique artwork
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Charles Mason
Saint Jeromes cave in the wilderness, 2006-2008
ink on paper
30 x 45 cm
unique artwork -
Andreas Fogarasi
Walt Disney Concert Hall - Glass (Donor recognition Structures), 2006
Graphite on paper
45 x 61 cm
unique artwork
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Andreas Fogarasi
Walt Disney Concert Hall - We honor (Donor Reconition Structures), 2006
Graphite sur papier
45 x 61 cm
unique artwork
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Benoît Maire
Drive line, 2007
pencil on paper
(24 x 33 cm) x 5
unique artwork
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Benoît Maire
Esthétique des Différends, 2011
archive box, ink print on paper Cyclus 110gr. text in french, silver photograph printed on paper Baryté,
23 x 33 cm
Edition of 25 + 2 AP
Edition Rosascape, Paris et De Vleeshal, Milddelbourg
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Benoît Maire
Tirésias open N°1 à N°7, 2007
Impression jet d'encre, collage
Dimensions variables - 7 éléments
Edition of 2 + 2 AP
Frac Aquitaine / Arthothèque Les arts au mur
Text
It is so soft, among the disillusionments of life, to have the possibility to refer in idea to noble characters,pure affections and paintings of happiness.
[ G. Flaubert / Madame Bovary ]
In 1987, for the exhibition « Tastes and Colors», the Château Giscours had invited the English artist Richard Deacon to present his work.
Today, Château Giscours invites the gallery Cortex Athletico with a new project presenting Vincent Lamouroux's works (a site specific work representing a cloud), a set of works by the British artist Charles Mason echoing the works by Deacon, the French artist Benoît Maire, Pierre Clerk an American, Andreas Fogarasi an Austrian, and the German artist Rolf Julius in the park.
The Château Giscours, which has been closed for a while, shelters a bas-relief by Jean Dunand ( 1877-1942 ), an allegory of the vineyard and its produce which adorned the cruise ship « Le Normandie ».
Jean Dunand took this boat on May 29th, 1935 to go to New York, from whence his work developed considerably, and launched him outside his province.
The worn guilding of this panel and its history, mirror the image of this reopened château and its romantic park, and recall certain images from the novel by Flaubert : «Madame Bovary, customs of province». In this work, Emma Rouault, whose vision of the existence is fervently lyrical, described her well-being as such : « It is so soft, among the disillusionments of the life, to have the possibility to refer in idea to noble characters, pure affections and paintings of happiness.»
It is from this description, that the exhibition is articulated, proposing a meeting of works, which have as a common denominator the ability to reflect the space, in its transparency and its peace.
